Growing up there are many things that i was taught. I was taught that when filing my nails I should always file in one direction so as not to weaken the nails as I filed them. I was taught that in addition to soothing irritating rashes from nettles and other stinging plants, witch hazel made a really good toner. I was taught to replace my mascaras after a maximum of six months to avoid the possibility of an eye infection from potential mod growth.
In the myriad list of things large and small that were taught to me dealing with glitter eyeshadow wasn’t one of them. I’m sure it was about somewhere when i was younger but it wasn’t in the list of things I was taught and not something anyone in my family really used. If it was referred to it was probably in the realm of stage makeup and not everyday wear.
There is just something fascinatingly attractive about loose glitter eyeshadows. They aren’t an everyday sort of thing and I think because of that, bringing out the individual glass pot of glitter shadow whether it is from Hourglass or Lottie London, makes the makeup preparation feel like something special. Or perhaps that is just me.
Perhaps you are an old hand at applying loose pigment glitter shadows, if so, feel free to skip this post. If like me you like playing around with the glitter shadows but often make a mess, perhaps what I learned can help you out.
I’ve found that a dry shadow brush when applying loose glitter pigments just makes a mess. It really doesn’t matter which brand you try, the application will be patchy and you will end up with more glitter on your cheeks and down the side of the nose than anything else.
Spraying the shadow brush with Setting spray does tend to help. It makes the shadow fly about less because of the moisture and will adhere to the lid in a much more cohesive manner. The problem can be thr bristles. First off the loose shadow wants to stick to the bristles. And if you have chosen the wrong brush then the glitter can end up in places where you don’t want it. If using a brush then choose one where the bristles are tapered in instead of flat or bushy as those bushy bristles especially will scatter the loose pigment in places where you might not want it. Spray the brush first and then dip it into the pigment before applying.
using a lid primer or a concealer on the eyelids prior can help it stick, but don’t forget a setting spray after you apply it. Be sure to use a setting spray that doesn’t irritate your eyes.
Sometimes the hands are your best tools. I generally fins that applying the loose pigments with a fingertip makes the pigment go exactly where I want it to. Then I spray it to make sure it sticks. However my finger is often bigger than I want when applying the shadow and it can look a bit messy.
Enter the cotton swab. It gives you the same rounded end as your finger tip but is much smaller. To use I spray it down with setting spray and dip it into the pigment before applying. Because the cotton tip is a solid bit of cotton, there are no bristles to spray pigment anywhere but what you put it. You can apply even pressure during application and if you spray down the clean end with setting spray, you can clean up any fallen flecks of pigment with little to no hassle. Taking out the loose flecks means there is less pigment that can fall to your cheeks or slide down the sides of your nose.
Will there still be fall out? Possibly. some loose pigments do work better than others but eventually all of them will fall. By applying a base coat, whether of concealer or lid primer, using setting spray on the cotton swab and cleaning up the loose flecks and then spraying it down with setting spray when your look is complete, you can have better control and lessen the amount that falls throughout your wear time.
I’m sure that trained makeup artists have their own way of doing things (and it is probably better) but for those of you who are like me, an amateur enthusiast who just likes playing around, I hope you find this useful. After all, professional or not, we all deserve to sparkle.